Shuji Saitoh

Rhythm in Flow or Streamlined

The design offers a high level of comfort both visually and physically when worn on the wrist. The lines flow seamlessly from the band to the case. However, this does not end in a monotonous rhythm. When the flow reaches the case, the tempo suddenly changes. This ensures that the design does not simply end as a full-flow form, but also firmly expresses the presence of the case. Looking at the overall finish, only the sides are given a polished finish, while the center section, which occupies a large area, features a hairline finish running from 12 to 6 o'clock. This brings out the full appeal of the stainless steel material. Turning to the dial, its silver tone closely matches that of the case and band, which is a major characteristic of this model. By unifying the dial, case, and band in color, the flowing design is further emphasized. The markings on the dial are also printed in white, reflecting a commitment to a consistent tone. Not only the form, but also the color scheme, designed with a sense of flow in mind, is a major attraction.

Expression of Elements

At the heart of this model lies the distinctive 'multi-function' as its core 'element.' How these 'elements' have been expressed from a design perspective is reflected in the high level of completion of this watch. The unique configuration, such as displaying the charge level in a fan shape and using its center as the 12 o'clock index, is one of this model's attractions. At the same time, many elements are arranged on the dial and ring in layers and surfaces so that they do not interfere with each other. Rather than superficially expressing the word 'sports' in form, the design is carefully crafted, such as not adding unnecessary recessed or protruding structures, anticipating actual usage situations. The metal band features alternating polished finishes on the connecting links, creating a dynamic sense of individuality. Additionally, by finishing the crown and push button guards separately, the model is characterized, and together with the shape of the push buttons, it invites the user to utilize the chronograph functions. By structuring and expressing the 'elements' of 'function' and 'sports' with a focus on their essence, this model embodies the true spirit of PROMASTER.

No Distortion

Words like “solitude,” “brilliance,” “sharpness,” and “purity” come to mind when you hold this watch in your hand. The polished surfaces and their composition on the case exude a nobility that makes you hesitate to touch it, even for a moment. The insistence on perfectly smooth surfaces has resulted in a case that sparkles like a gemstone. The carefully considered angles of each surface highlight the beautiful contrast of light and shadow, radiating an air of elegance. Such a noble image is achieved because there is absolutely no distortion present. To ensure this lack of distortion, an ultra-hard alloy was used for the material. The use of carefully selected materials and meticulous finishing has resulted in precision surface quality, embodying true functional beauty. Moving your gaze to the dial, its color is jet black. The finish, achieved through painted film polishing, also presents a completely distortion-free surface here. The sharpness is so refined that you can almost feel its keen touch. The hands and the four indexes are diamond-cut, giving them the same sharp, brilliant expression as the case. Here, you find “refined beauty and individuality” backed by “excellent craftsmanship” and “superior quality.”

Tracing with Finger

If you look at the watch from above, you’ll notice that the case and band are unified in a full-flow design, with the lines of the band smoothly connecting to those of the case. Instead of the typical four-lug case, this is a case designed exclusively for a metal band. This allows for a flowing expression throughout the design. Rather than the case and band each asserting their own individuality, they come together as a single exterior, expressing a unified character. The bezel is also thin and intentionally left undecorated, which maximizes the information conveyed by the dial. When viewed from the side, you can also see the flowing lines that make up the design. The bezel’s height is kept low, and there are no large steps, so the flow is uninterrupted. The cross-section of the case and band from 3 to 9 o’clock forms a gentle mountain shape. For the band, the center link is set one step lower, so the thickness is not felt. Thanks to this shape, a high level of comfort on the wrist is achieved both visually and physically. This smooth continuity in the design sometimes makes you want to trace the surface with your finger and enjoy its lack of resistance. Here lies one answer to the question, “What does it mean to wear a watch?”